CRY

For 90 minutes, the singers use the stage as a tightrope and move between performance and theatre, improvisations and surprising actions – and actuallly not merely on stage. Mozart’s “Lacrimosa” sounds like an intimate chanson; we hear confusion of tongues at the Vienna Naschmarkt; and then, during “Crocodile”, Chorus sine nomine makes advances to the two electronic guitars and choses the shortest way – from the stage to the audience and further to the back of the hall end; and the program ends with a choir in 16 voices…while the audience is listening – wearing cardboard glasses!